Ambience recording - Field Recording Haunting from the Potter's Field - Fairchild
A field recording from the Potter's Field - Fairchild.
Steven F. Allen's soundscape work for the Fairchild Natural History Society (FNHS) Project seems to draw inspiration from a blend of artistic and scientific fascinations.
Artistic inspiration
Evocative Soundscapes: Allen, who releases music under the name "AuDioChosis," creates evocative and sometimes unsettling soundscapes.
Film Scores: A background in music theory and composition, including a Graduate Certificate in Film and Television Scoring, suggests a potential influence of film scores in his soundscape work.
Experimental Music: The project emphasizes a blend of "scientific observation with artistic interpretation," suggesting an experimental approach to capturing and manipulating sounds to evoke specific moods or atmospheres.
Specific Soundscapes: The variety of titles for his other works, including "The Dark Circus", "Windtryst Farm", and "Cicadaz 2021", suggests an interest in exploring specific locations, events, or phenomena through sound.
Scientific inspiration
Acoustic Ecology: The project aims to "capture and catalog the evolving soundscapes of Fairchild throughout the year 2025," which aligns with the principles of acoustic ecology, a field that studies the relationships between living beings and their environment through sound.
Evolving Soundscapes: The emphasis on "evolving soundscapes" suggests an interest in documenting changes in the acoustic environment over time, perhaps to understand the impact of human activities or natural processes on the soundscape.
Scientific Documentation: While the project incorporates artistic interpretation, it also emphasizes the "scientific observation" of the Fairchild area's acoustic ecology, indicating an interest in a more objective and structured approach to recording and cataloging the soundscape.
Therefore, Steven F. Allen's work for the FNHS Project appears to be inspired by a desire to both scientifically document and artistically interpret the evolving soundscapes of Fairchild, Wisconsin, drawing from his musical background and an interest in the acoustic ecology of the area.
Steven F. Allen's soundscape work for the Fairchild Natural History Society (FNHS) Project seems to draw inspiration from a blend of artistic and scientific fascinations.
Artistic inspiration
Evocative Soundscapes: Allen, who releases music under the name "AuDioChosis," creates evocative and sometimes unsettling soundscapes.
Film Scores: A background in music theory and composition, including a Graduate Certificate in Film and Television Scoring, suggests a potential influence of film scores in his soundscape work.
Experimental Music: The project emphasizes a blend of "scientific observation with artistic interpretation," suggesting an experimental approach to capturing and manipulating sounds to evoke specific moods or atmospheres.
Specific Soundscapes: The variety of titles for his other works, including "The Dark Circus", "Windtryst Farm", and "Cicadaz 2021", suggests an interest in exploring specific locations, events, or phenomena through sound.
Scientific inspiration
Acoustic Ecology: The project aims to "capture and catalog the evolving soundscapes of Fairchild throughout the year 2025," which aligns with the principles of acoustic ecology, a field that studies the relationships between living beings and their environment through sound.
Evolving Soundscapes: The emphasis on "evolving soundscapes" suggests an interest in documenting changes in the acoustic environment over time, perhaps to understand the impact of human activities or natural processes on the soundscape.
Scientific Documentation: While the project incorporates artistic interpretation, it also emphasizes the "scientific observation" of the Fairchild area's acoustic ecology, indicating an interest in a more objective and structured approach to recording and cataloging the soundscape.
Therefore, Steven F. Allen's work for the FNHS Project appears to be inspired by a desire to both scientifically document and artistically interpret the evolving soundscapes of Fairchild, Wisconsin, drawing from his musical background and an interest in the acoustic ecology of the area.